By Isoul Harris
Uzo Aduba is riding high. With the hit show Orange Is The New Black, two Emmys and a marquee role in NBC’s highly-anticipated live adaptation of The Wiz, the actress has the world in her palm. But, who is the person behind the success?
She may be the toast of Hollywood right now, but, at this very moment, actress Uzo Aduba could not be farther from the glitz and glam of Tinseltown. In fact, she is in Pittsburg, Pennsylvania, scuttling around a trailer, vying for the best signal with her phone, so our conversation can continue. I feel that at any second I will hear an enthusiastic “Can you hear me now?” Instead, she blurts out, “If you could only see my face right now!”
Her exclamation is followed by laughter, which during the course of our talk, I come to realize is signature Uzo. “I am in prosthetics,” she says, making mention of the effects that transform her into Vicky, the character she’s portraying in the Ewan McGregor-directed ’60s/’70s period piece American Pastoral, that she’s starring in alongside an impressive set that includes McGregor, Jennifer Connelly and Dakota Fanning. It’s no surprise that Oscar darlings are wanting to work with the Massachusetts-born, Boston University graduate.
Aduba is the breakout star of the Netflix dramedy Orange Is The New Black, on which she portrays Suzanne “Crazy Eyes” Warren: a role that has garnered her two, back to back Emmy Awards. In 2014, she won for Best Supporting Actress in a Drama Series and this year, it was for Best Supporting Actress in a Comedy. Netflix changed the show’s classification for 2015, which enabled Aduba to make history: she is the only person to win the same award in both categories.
Chasing excellence was expected of Aduba, whose parents migrated to America in the ’70s and raised their artistic and athletically-inclined children in Medfield, Massachusetts. The Adubas were the only Nigerian family. I mention my impression that Nigerians seem to be overachievers, with unparalleled ambition and hustle. “I would agree with that,” Aduba, 34, says quickly. “Yes, there is a commitment to excellence. We were exposed to everything. My parents were less interested in what the pursuit was, so long as you pursued it with excellence. That is really the Nigerian mentality: putting your best self into it. It’s not about being number one, but no Nigerian parent will ever complain about that! [Laughs] My mom always said ‘I have never heard of nothing coming from hard work. I don’t know when it will come, but it will come.'”
Aduba’s longtime efforts paid off on Sept 4th, 2012, at exactly 5:24 p.m. with a phone call. Hours before, she had experienced what she believed at the time was the worst audition of her life—and no other previous prospects were panning out—and she had resolutely decided to forgo acting in favor of her more Nigerian values friendly, childhood dream of being a lawyer (“because I could talk a lot”). After the audition, she endured eight subway trains, bought a bottle of wine and planned to order sushi as soon as she stepped into her apartment. “It was going to be a celebration,” Aduba remembers. “From that moment on, I was going to live my life on purpose. Everything was going to to happen as it’s meant to.” She never had the opportunity to order that spider roll. Before she could pick up the receiver, the phone rang. It was her agent with the news that she had booked Orange Is The New Black.
Now, with awards, fame, a fourth season of OITNB and a starring role in the live adaptation of The Wiz on NBC, Uzo, which means “the road is good” in Igbo, is living a prophecy fulfilled.
UPTOWN: During your acceptance speech this year at the Emmys, you thanked those in your life for allowing you to be yourself. What did that mean in a more specific way?
Uzo Aduba: When I first started, I met with different agents that tried to fix me in some way, which implied that something was wrong. I appreciate, respect and enjoy the person that I see in the mirror. I have always wanted to be surrounded by people who also appreciate those things. From my lawyer to my glam team, they enjoy me as Uzo and where I stand today. There has never been any pressure to be more or else than who I am.
U: So, is your success a validation?
UA: I would not necessarily call it a validation in that context because that makes it seem as if I am seeking validation outside of myself. To some degree we all are, but more than that, I feel grateful that the work is being recognized. And not just my own, but the work of the entire cast and the type of show and who is on it, frankly. [Laughs] It is outside of the norm. To see women of color, gender stories, orientation stories actually proves a hypothesis: that an audience exists for the stories we are telling.
U: How has success and fame affected you the most?
UA: It has afforded me opportunities. I am here working on this incredible movie right now with Oscar-nominated actors which is a direct result of my work on Orange. Before, if someone called my name on the street, I knew that the person knew me. [Laughs] Now, if someone calls my name they may not know me, but they are very clear on what my name is and my resume! That’s new. My family dynamic and dear friends have not changed. I have been introduced to amazing people that I have looked up to and respected over the years and to now call them colleagues and friends is amazing. But, really, as far as my personal life, the only thing that has changed is my apartment!
U: Is it a bigger apartment?
UA: Uh, yeah!
U: Well, done. Do you miss your anonymity?
UA: Sometimes. But, I would not trade it for any of the exchanges that I have had on the street. They have been very meaningful, thoughtful and kind. So, my anonymity has been a small trade for something so great.
U: You mentioned becoming friends with those whom you have looked to? Will you name a few?
UA: Sure. I have loved Viola Davis for awhile. She is a phenomenal actor and one that does interesting work and has not been afraid to go over the line. Tracee Ellis Ross is dynamic, her character work is fantastic and she is smart, supportive and super chic. On top of it, she has an incredible generosity. Gabrielle [Union] is a sweetheart and loving and wildly gracious.
U: Are you excited about portraying “Glinda the Good Witch” in The Wiz?
UA: Are you kidding. Of course! I think it’s going to be wonderful. I am working with Queen Latifah! I have admired her versatility and command for years. She is think bigger, think higher, think braver. Mary J. Blige is joy and light wrapped into one. My very first record I bought—with my own money— was her My Life album. I respect their art. David Alan Grier is a brilliant actor on stage and screen. Ne-Yo is great. Amber Riley is a brilliant singer. And Elijah Kelley and newcomer Shanice Williams (Dorothy) are both great.
U: Is there any pressure stepping into this role?
UA: I don’t think that far out. I know that I am stepping into the shoes of both the great Dee Dee Bridgewater [from the original 1975 Broadway cast] and the legendary Lena Horne [the 1978 big screen adaptation]. I want to bring a reverence and respect to what they have been and have done. I just want to tell the best story that I can. That relieves the pressure.
U: When do you begin filming the next season of Orange?
UA: I am filming it right now.
U: Wow, you are a busy woman.
UA: Yes, and this is where I go into a space of gratitude. Orange and The Wiz were kind enough to let me do the movie I am filming right now. The movie and Orange were kind enough to let me do The Wiz. Everyone made it work. To go from this great movie to The Wiz is amazing.
U: I think that everyone is willing to make it all work for you is a testament to your spirit, your talent and having a great agent!
UA: [Laughs] Well … yes. Thank you!
U: What can we expect from the next season of Orange?
UA: Another season of Orange.
[We both laugh]
U: Touché.